Institute of Creative Technologies publications

Garry, T. and Harwood, T. (2019) Trust and its predictors within a cyber-physical system context, Journal of Services Marketing

Harwood, T. (2018) Art-AI Festival Website. [Software] Leicester: De Montfort University

Harwood, T., Boomer, J., Garry, T. (2018) Value transformation in the ‘let’s play’ gaming sub-culture, Journal of Creating Value

Garry, T. and Harwood, T. (2017) Robot relationships within communal/exchange service contexts, ANZMAC, University of Melbourne, 4-6 December

Stone, S., Harwood, T. and Jones, M. (2017) States of consciousness: perfomring sensory perceptions, The Oxford-Globe Forum for Medicine and Drama in Practice, University of Oxford, 2 Dec.

Harwood, T. and Garry, T. (2017) Cyborgian encounters in relationship marketing contexts. International Colloquium on Relationship Marketing, Munich School of Management, 12-14 September

Harwood, T. (2017) Creative Technologies and The City, Proceedings of Royal Geographical Society with IBS Annual Conference, Imperial College London, 28 Aug-1 Sept.

Harwood, T., Garry, T., Belk, R. and Drax, B. (2017) Hyperreal Living: The DraxTM Files, Consumer Culture Theory Conference: {Hyper}Reality and Cultural Hybridization, Disneyland, CA, 9-12 July (supporting film – see

Garry, T and Harwood, T. (2017) Exploring Consumer Associations between Corporate Reputation, Corporate Sustainability and Product Attributes within Utilitarian Market Contexts, International Studies of Management & Organization, 47 (3), pp. 258-275

Harwood, T. and Smith, S. (2017) Embedding the Corporate Story through Performance. In: Zackariasson, P. & Raviola, E., The Arts and Business, Routledge.

Richardson, M. (2018) As The Two Roads Diverged I Took The One Less Travelled, And That Has Made All The Difference. Key Note Invited Speaker. Art Concepts & Techniques, 11th International Symposium on Display Holography, University of Aveiro, Portugal, June 2018.

Chang, Y-R. and Richardson, M. (2017) Holographic space: presence and absence in time. Proc. SPIE 10127, Practical Holography XXXI: Materials and Applications, 1012708 (February 20, 2017)

Sureshkumar, V.A. and Richardson, M. (2017) CυBE: Coherent υ Beam Educator. Proc. SPIE 10127, Practical Holography XXXI: Materials and Applications, 101270T

Richardson, M. and Wiltshire, J. (2017) Holograms: Principles and Techniques. Wiley & Sons

Richardson, M. and Amos, V. (2017) The Coherent Beam Educator. SPIE PAPER NUMBER: 10127-29

Azevedo, I. et al. (2016) Silent images in dialogue. Proc. SPIE 9771, Practical Holography XXX: Materials and Applications, 977108 (May 25, 2016)

Richardson, M. and Cheng, Y-N. (2016) Writing with Light: Interweaving Holographic Aesthetics with Classical Chinese Poetry. Avanca Cinema International Conference

Richardson, M. (2016) A ilusão pefeita: holografia moderna na nova era dos meios digitals. Coimbra: Coimbra University Press.

Richardson, M. and Chang, Y-R. (2015) Time within Time: 3D Printed Sculptures Within Holographic Art Practice. SPIE Conference, Photonics West

Smith, S. (2018) Dance Performance and Virtual Reality - an investigation of current practice and a suggested tool for analysis. International Journal of Performance Arts and Digital Media, 14 (2), pp.199-214

Smith, S.(2018) Play in Practice - innovation through play in the postgraduate curriculum. In: James, A. (Ed) The Power of Play, London, Palsgrave Macmillan.

Smith, S. (2017) Social media and choreographic practice Creative tools for collaboration, co-creation and creative practice. In: Butterworth, J. and Wildschut, E.M.M. (Eds.), Contemporary Choreography: A Critical Reader. Routledge

Smith, S (2018) Pervasive Theatre: Post Screen Audiences and Professional Performance Practice, Journal of Media Practice.

Smith, S. (2016) Pervasive Theatre: New Writing for New Environments. Convergence: The International Journal of Research into New Media Technologies

Smith, S (2016) Kireek 2011 Championship Routine Analysis. In: Expanding the Horizon of Electroacoustic Music Analysis, Cambridge University Press

Harwood, T. and Smith, S. (2016) An evaluation of performance arts in generating business value. Arts and the Market, 7 (1), pp. 80-100

Smith, S. (2015) Fragile (2015). Fragile was produced by Motionhouse Dance Theatre. Fragile is co-commissioned by Conflux, Merchant City Festival and Gulbenkian, University of Kent, with support from Creative Scotland, Glasgow City Council, Arts Council England and sponsored by Scot JCB and AB 2000.

Smith, S (2015) Power to Share – Facebook and Collaborative Arts Practice. In: Mura, G. (ed.) Analyzing Art, Culture, and Design in the Digital Age, IGI-Global.

Peña, A., Bonet, I., Lochmuller, C., Tabares, M.S., Piedrahita, C.C., Sánchez, C.C., Giraldo, L.M., Góngora, M., Chiclana, F. (2018) A fuzzy ELECTRE structure methodology to assess big data maturity in healthcare SMEs. Soft Computing

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