Research Students
Doctor of Philosophy
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Sol Anderson
The Act of Listening, Objects and Noise
W: www.solandersson.se
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Philip Arnold
The Challenges of Site Specific Infrasound
and Deep Bass Installations
W: interactive-agents.com
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Stefano Catena [M4C DTP with U. Birmingham]
The Language of Music in Space: A Study of
Listeners' Perception to Develop a New
Vocabulary of Sound Movement
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Robert Chafer [M4C DTP]
Creative Frameworks for Future Practice:
Cross-Synthesis of Mixed-Reality and
Audiovisual Composition
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Eddie Clijsen
Practical Explorations of Formalised
Approaches to Microtonal Composition
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Chris Cousin
In Search of that Perfect Wave: The Quest for
Complex Control Voltages
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Ross Davidson [M4C DTP]
Applying an Electroacoustic Approach to the
Soundtrack of Narrative Film
W: www.rossd.co.uk
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Zach Dawson
[M4C DTP PhD based at University of Birmingham]
X for Y hours: Reimagining Open Duration After the Internet
W: zachdawson.life
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Robin Foster
Rummaging: in Search of a Visceral Noise Music
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James Frize
Disintegrated Circuits: Deconstructed Music Technology
W: sonodrome.co.uk
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Sebastiano Gualtieri
Balancing Images and Sounds in Generative
Audio-visual Art
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Katie-Jane Howard
Audience Perception of Digital Music Instruments
in Live Musical Performance
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Eva Kára
Writing the Political: Electroacoustic Music
Composition as Ideology
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Andreas Katsiavalos
Algorithms for the automatic identification of musical
schemata that learn to adapt to user feedback
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Samantha Topley [M3C DTP]
Craft-Focused Electronic Instrument Building
W: www.samantha-topley.co.uk
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Stewart Worthy
An Investigation of Hidden Qualities within
Sound-based Installation Art
W: stewartworthy.wordpress.com
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Mungo Zhangruibo
Assisting the Development of the Field of EA
Music Studies in China
W: chears.info
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Masters by Research (MA or MSc)
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Matt Rogerson
Sensory Overload: Noise, Mind, Emotion
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