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Sol Anderson
The Act of Listening, Objects and Noise
W: www.solandersson.se
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Asher Arnon
Visual-Music Strategies and the Sense of Place
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Bill Brunson
Narrativity and Formal Aspects of Electroacoustic Music
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James Frize
Disintegrated Circuits: Deconstructed Music Technology
W: sonodrome.co.uk
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Marinos Giannoukakis
Creation of Complex Realtime, Nonlinear Narratives by Means
of Current 3D Game Technologies and Realtime Sound Analysis
and Synthesis Systems
|
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Marij van Gorkom
Alternative approaches to the composer-performer relationship
with respect to works for bass clarinet and live electronics
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Susanne Grunewald
Electroacoustic Music and Sound Design for Film
W: www.suzannesoundcreations.com
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Sebastiano Gualtieri
Audio-video Composition
|
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Weiwei Jin
Interdisciplinary Operatics: Creative Practices which combine
Voice, Electroacoustic Composition, Theatre, Multimedia,
Installation, Cinema and Technology
|
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Steve Jones
The Carry Principle: Strategies for Mobile Practice
W: steranko.tumblr.com
|
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Andreas Katsiavalos
Algorithms for the automatic identification of musical
schemata that learn to adapt to user feedback
|
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James Kelly
Vinyl Cutting for Turntable Performance
|
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Takuro Lippit
The Playback - An Integrated Instrumental Setup for Experimental
Turntable Performances
W: www.djsniff.com
|
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Luigi Marino
(M3C DTP Scholar based at University of Birmingham)
A Flexible System for the Purpose of a Relational Counterpoint
in Interactive Music
W: www.luigimarino.net
|
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Robin Parmar
Rethinking Environmental Composition: The Phenomenology of
Place and Nature
W: robinparmar.com
|
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Amit Patel
Creating Noise in the Asian Underground
W: www.soundcloud.com/dushume
|
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Francisco Marti Pérez
New Media Art with Psuedo-Random Number Generators
and Granular Synthesis Techniques
W: www.rmsonce.com
|
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Jack Richardson
Sounding Futures: Perception & Experience in Contemporary
Music Education
|
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Audrey Riley
Cellist and Musician: Investigating Performance Practice
and Collecting Stories
|
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Anatol Rivero
The Instrument as Sound Composition
|
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Samantha Topley
[M3C DTP Scholar based at DMU]
Craft-Focused Electronic Instrument Building
W: www.samantha-topley.co.uk
|
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Maya Verlaak
[M3C DTP Scholar based at Birmigham Conservatory]
Embodying Context During the Music Compositional Process…
W: www.maya.ricercata.org
|
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Virginie Viel
Musical Form as Deployment of Gestural Energy in Acousmatic Music
W: www.virginieviel.com
|
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Simon Waite
Hybrid Audiovisual Realtime Systems for Electronics, Voice and
Instruments
W: www.nationaltrevor.com
|
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Stewart Worthy
Perception and Memory in Sound Art Installations
W: stewartworthy.wordpress.com
|
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Mungo Zhangruibo
Assisting the Development of the Field of EA Music Studies in China
W: chears.info
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