Research Students
Doctor of Philosophy
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Sol Anderson
The Act of Listening, Objects and Noise W: www.solandersson.se
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Stefano Catena [M4C DTP with U. Birmingham]
The Language of Music in Space: A Study of Listeners' Perception to Develop a New Vocabulary of Sound Movement W: stefanocatena.github.io
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Robert Chafer [M4C DTP]
Creative Frameworks for Future Practice: Cross-Synthesis of Mixed-Reality and Audiovisual Composition
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Eddie Clijsen [M4C DTP]
Practical Explorations of Formalised Approaches to Microtonal Composition
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Ross Davidson [M4C DTP]
Applying an Electroacoustic Approach to the Soundtrack of Narrative Film W: www.rossd.co.uk
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Katie-Jane Howard
Audience Perception of Digital Music Instruments in Live Musical Performance
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Eva Kára
Writing the Political: Electroacoustic Music Composition as Ideology
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Matt London [M4C DTP]
The Integrated Soundtrack: An Analytical Exploration of the Auditory Elements of Music, Sound Design and Dialogue within Horror Cinema
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Christina Palandri [M4C DTP]
Materialising sound-based composition: exploring multi sensory perception and audience engagement between tactile and sonic spheres
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Samantha Topley [M3C DTP]
Craft-Focused Electronic Instrument Building W: www.samantha-topley.co.uk
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Mungo Zhangruibo
Assisting the Development of the Field of EA Music Studies in China W: chears.info
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Masters by Research (MA or MSc)
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Joe Hitchen
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Kris Parker
Exploring the Potential and Means for Making Original Electronic Music to Enrich our Experience of Historical Silent Film
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Matt Rogerson
Sensory Overload: Noise, Mind, Emotion
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Connor Snape
Fundamentals of Adaptive Audio Design in an IDM Context for Video Games
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Joe Stillwell
Interdisciplinary Improvisation
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