Research Students

Doctor of Philosophy

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Sol Anderson

The Act of Listening, Objects and Noise

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Stefano Catena [M4C DTP with U. Birmingham]

The Language of Music in Space: A Study of
Listeners' Perception to Develop a New
Vocabulary of Sound Movement


Robert Chafer [M4C DTP]

Creative Frameworks for Future Practice:
Cross-Synthesis of Mixed-Reality and
Audiovisual Composition


Eddie Clijsen

Practical Explorations of Formalised
Approaches to Microtonal Composition


Chris Cousin

In Search of that Perfect Wave: The Quest for
Complex Control Voltages

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Ross Davidson [M4C DTP]

Applying an Electroacoustic Approach to the
Soundtrack of Narrative Film

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Sebastiano Gualtieri

Balancing Images and Sounds in Generative
Audio-visual Art


Katie-Jane Howard

Audience Perception of Digital Music Instruments
in Live Musical Performance


Eva Kára

Writing the Political: Electroacoustic Music
Composition as Ideology


Christina Palandri

Sam Topley

Samantha Topley  [M3C DTP]

Craft-Focused Electronic Instrument Building


Stewart Worthy

An Investigation of Hidden Qualities within
Sound-based Installation Art 

Mungo Zhangruibo

Mungo Zhangruibo

Assisting the Development of the Field of EA
Music Studies in China 

Masters by Research (MA or MSc)

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Kris Parker

Exploring the Potential and Means for Making
Original Electronic Music to Enrich our Experience
of Historical Silent Film


Matt Rogerson

Sensory Overload: Noise, Mind, Emotion 



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