Research Students

Sol Anderson

The Act of Listening, Objects and Noise
W: www.solandersson.se

Philip Arnold
The Challenges of Site Specific Infrasound
and Deep Bass Installations
W: interactive-agents.com

Stefano Catena [M4C DTP with U. Birmingham]

The Language of Music in Space: A Study of
Listeners' Perception to Develop a New
Vocabulary of Sound Movement

Robert Chafer [M4C DTP]

Creative Frameworks for Future Practice:
Cross-Synthesis of Mixed-Reality and
Audiovisual Composition

Chris Cousin

In Search of that Perfect Wave: The Quest for
Complex Control Voltages

Ross Davidson [M4C DTP]

Applying an Electroacoustic Approach to the
Soundtrack of Narrative Film
W: www.rossd.co.uk 

Zach Dawson 
[M4C DTP PhD based at University of Birmingham]

X for Y hours: Reimagining Open Duration After the Internet
W: zachdawson.life

Robin Foster
Rummaging: in Search of a Visceral Noise Music

James Frize

Disintegrated Circuits: Deconstructed Music Technology
W: sonodrome.co.uk

Marinos Giannoukakis

Time, Space and Agency: A Dynamical Approach
to Narrative in New-Media Artwork

Sebastiano Gualtieri

Balancing Images and Sounds in Generative
Audio-visual Art

Katie-Jane Howard

Audience Perception of Digital Music Instruments
in Live Musical Performance

Eva Kára

Writing the Political: Electroacoustic Music
Composition as Ideology

Andreas Katsiavalos

Algorithms for the automatic identification of musical
schemata that learn to adapt to user feedback

Samantha Topley  [M3C DTP]

Craft-Focused Electronic Instrument Building
W: www.samantha-topley.co.uk  

Marij Van Gorkom
Alternative approaches to the composer-performer
relationship with respect to works for bass clarinet
and live electronics

Stewart Worthy

An Investigation of Hidden Qualities within
Sound-based Installation Art 
W: stewartworthy.wordpress.com

Mungo Zhangruibo

Assisting the Development of the Field of EA
Music Studies in China 
W: chears.info

Matt Rogerson

Sensory Overload: Noise, Mind, Emotion