Research Students

Doctor of Philosophy



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Sol Anderson

The Act of Listening, Objects and Noise
W: www.solandersson.se

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Stefano Catena [M4C DTP with U. Birmingham]

The Language of Music in Space: A Study of
Listeners' Perception to Develop a New
Vocabulary of Sound Movement
W: stefanocatena.github.io

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Robert Chafer [M4C DTP]

Creative Frameworks for Future Practice:
Cross-Synthesis of Mixed-Reality and
Audiovisual Composition

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Eddie Clijsen

Practical Explorations of Formalised
Approaches to Microtonal Composition

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Chris Cousin

In Search of that Perfect Wave: The Quest for
Complex Control Voltages

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Ross Davidson [M4C DTP]

Applying an Electroacoustic Approach to the
Soundtrack of Narrative Film
W: www.rossd.co.uk 

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Sebastiano Gualtieri

Balancing Images and Sounds in Generative
Audio-visual Art

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Katie-Jane Howard

Audience Perception of Digital Music Instruments
in Live Musical Performance

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Eva Kára

Writing the Political: Electroacoustic Music
Composition as Ideology

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Christina Palandri

Materialising sound-based composition: exploring
multi sensory perception and audience engagement
between tactile and sonic spheres

Sam Topley

Samantha Topley  [M3C DTP]

Craft-Focused Electronic Instrument Building
W: www.samantha-topley.co.uk  

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Stewart Worthy

An Investigation of Hidden Qualities within
Sound-based Installation Art 
W: stewartworthy.wordpress.com

Mungo Zhangruibo

Mungo Zhangruibo

Assisting the Development of the Field of EA
Music Studies in China 
W: chears.info


Masters by Research (MA or MSc)


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Kris Parker

Exploring the Potential and Means for Making
Original Electronic Music to Enrich our Experience
of Historical Silent Film

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Matt Rogerson

Sensory Overload: Noise, Mind, Emotion 

 

 

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