Alumni
Degrees
If you are an alumnus who would like for us to link to your web page — or correct an existing link — please email the MTI2 Web Master (see the Contacts page).
Doctor of Philosophy
Stewart Worthy – 2024
Beyond the Veil: Revealing the Hidden Qualities of Objects and Spaces through Electroacoustic Audiovisual Experiences
Sebastiano Gualtieri – 2024
Behind the curtain: composing acousmatic sounds and 3D CGI
James Frize – 2023
Breadboarding as a Musical Practice
W: sonodrome.co.uk
Andreas Katsiavalos – 2023
Automatic Identification of Musical Schemata
Marinos Giannoukakis – 2022
Time, Space and Agency: A Dynamical Approach to Narrative in New-Media Artwork
Marij Van Gorkom – 2021
(R)evolving the patch: On regaining musicianship in electroacoustic music
Audrey Riley – 2021
In Pursuit of Non-Knowledge: Perspectives on Performing with the Merce Cunningham Dance Company
W: www.audreyriley.com | cageperformancestories.com
Susanne Grunewald – 2021
Exploration of Sound-Based Music Composition Tools and Techniques for Hollywood-Style Science Fiction Films
Asher Arnon – 2021
Visual Music Strategies and the Sense of Place
W: www.asherarnon.com
Luigi Marino – 2021
[M4C DTP PhD based at University of Birmingham]
Revisiting a Relational Approach to Electronic Music Performance
Francisco Marti Pérez – 2020
Multichannel Audiovisual Composition Using Audiovisual Sampling, Synchronous Granular Synthesis and Psuedorandom Number Generator Algorithms
W: www.rmsonce.com
Takuro Lippit – 2020
Listening with Hands: The Instrumental Impulse and Invisible Transformation in Turntablism
W: www.djsniff.com
Steve Jones – 2020
Towards a Practitioner Model of Mobile Music
W: steranko.tumblr.com
James Kelly – 2019
Playing the Record Lathe: Vinyl Record Cutter as Musical Instrument
Robin Parmar – 2019
Platial Phenomenology and Environmental Composition
W: robinparmar.com
Amit Patel – 2019
Studio Bench: the DIY Nomad and Noise Selector
W: www.dushume.co.uk
Simon Waite – 2019
Networks of Liveness in Singer-Songwriting: A practice-based enquiry into developing audio-visual interactive systems and creative strategies for composition and performance
W: www.nationaltrevor.com
Maya Verlaak – 2019
[M3C DTP Scholar based at Birmigham Conservatory]
Embodying Context During the Music Compositional Process…
W: www.maya.ricercata.org
Virginie Viel -– 2019
Multi-form Visualisation: An Approach to Acousmatic Composition
Louise Rossiter – 2017
A Practical Investigation of Expectation in Acousmatic Music
W: www.louiserossiter.com
Kerry Francksen-Kelly – 2017
Intimate Bodies and Technologies: A Concept for ‘Live-digital’ Dancing
Manolis Manousakis -– 2017
Cross-arts Production Methods Using Collectives
W: www.manolismanousakis.com
David Holland – 2016
Developing Heightened Listening: A Creative Tool for Introducing Primary School Children to Sound-based Music
Neal Spowage – 2016
Physical Interaction with Electronic Instruments in Devised Performance
W: www.nealspowage.com
Marinos Koutsomichalis – 2015
A Hypermedia and Project-based Approach to Music, Sound and Media Art
W: www.marinoskoutsomichalis.com
Luca Forcucci – 2015
Mapping Dynamic Relations in Sound and Space Perception
Panos Amelides – 2015
Acousmatic Storytelling: A Compositional Approach
Ben Ramsay – 2015
Exploring Compositional Relationships between Acousmatic Music and Electronica
Michael Gatt – 2015
Tools for Understanding Electroacoustic Music
David Gray – 2014
The Visualisation and Representation of Electroacoustic Music
Nasia Therapontos – 2013
Evolving Music Education in the Digital Age: Sound-Based Music in Public Schools of Cyprus
Jerry Fishenden – 2013 - via the Institute of Creative Technologies
Interactive Digital Technologies and the User Experience of Time and Place
W: fishenden.com
Andrew Hill – 2012
Interpreting Electroacoustic Audio-Visual Music
W: www.ahillav.co.uk
Motje Wolf – 2012
The Appreciation of Electroacoustic Music - An Empirical Study with Inexperienced Listeners
Katerina Tzedaki – 2012
Into the Sounding Environment: A Compositional Approach
W: tzedk.wordpress.com
Ian Wilcock – 2012 - via the Institute of Creative Technologies
Multimedia and Live Performance
W: www.willcock.org
Lorenzo Picinali –2010
The Creation of a Binaural Spatialization Tool
W: www.imperial.ac.uk/people/l.picinali
Robin McGinley – 2009
Breaking the Sound Barrier: Explorations in Experimental SoundArt, Soundscape Research and Interactive Systems
Ximena Alarcon – 2007
An Interactive Sonic Environment Based on Commuters' Memory of Soundscape: A Case Study of the London Underground
W: ximenaalarcon.net
Rick Nance – 2007
Compositional Explorations of Plastic Sound
W: ricknance.myartsonline.com
Richard Hemmings – 2005
Unpredictable popular music: history, praxis, perception : cryptography, serialism, pseudorandom generation, chance, improvisation and infinite monkeys
W: leicesterdrumschool.co.uk
Sophy Smith – 2005
The compositional processes of UK hip-hop turntable teams
W: DMU staff page
Robert Weale – 2005
The intention/reception project : investigating the relationship between composer intention and listener response in electroacoustic compositions
Master of Philosophy
Jack Richardson – 2020
Sounding Futures: Perception & Experience in Contemporary Music Education
Masters by Research in Music, Technology and Innovation
Mihai Traista – 2021
Robotic Sculpture in Trans- media Composition using Sound and Movement
Samuel Thomas – 2021
Investigating Untutored Perception in Visual Music
Rob Chafer – 2021
Time–Event–Space: A Creative Exploration of Techniques in Multichannel Audio-visual Composition
Calum Vaughan – 2020
Semi Real-time Use of Markov Chains in Algorithmic Electronic Dance Music Performance
Sam Warren – 2019
Relationships Between Electronic Music and Movement Practice
Samantha Topley – 2017
Wearable Technology in Music and Performance
W: www.samantha-topley.co.uk
Simon Smith – 2016
Re-creating Diffusion Performance Practices from an Exploration of Listening(s) Experiences
David Gurney – 2016
Considerations and Practice of Creating and Implementing Effective Game Sound Design
W: www.davidjgurney.com
Chloe Cutler – 2013
Enhanced Learning with an Innovative Instrument in KS2 Music Education
Annelie Nederberg – 2012
Notions of Corporeality in Electroacoustic Music
David Holland — 2012
Can a listening strategy be used to increase the appreciation of Electroacoustic Music
Master of Arts in Music, Technology and Innovation
Becky Gray – 2021
Binaural on Streaming Platforms: Headphone Use and Genre Characteristics Enhanced with Binaural Audio
Harri Bettsworth – 2021
Exploring how Uncanny Sound can Trigger Fear in a Video Game
James Reynolds – 2021
Bolton-Crick: Soundscapes from the Somme
Jacob Myer Braslawsce – 2021
G.R.A.S.P, G.R.A.V.D. and Waveset Distortion: The creation of three unique applications and their role in the creation of ‘uhu47’ and ‘How Beautiful My Life Could Be If You Were Here’
Sean Carroll – 2009
Mapping Gestural Motion in Dance to Algorithmic Composition
Nilesh Champaneri – 2008
Composition Using Sampling Methods
Robin Foster – 2009
Live Performance and Improvisation in Electronic and Computer Music
Michael Gatt – 2009
The Art of Composing Site-Specific Sonic Installations
Paul Jones – 2009
Algorithmic composition, Instrument Design and Gestural Mapping to Sound
Jeff Mettlewsky – 2009
Mixed Instrumental and Electronics Composition, Aesthetics
Tasha Roberts – 2009
The Use of Noise in Electronic Music: The Ideas in Glitch
Nasia Therapontos – 2009
Spatialization of music in electroacoustic and sonic art works
Artur Walaszczyk – 2009
Sound design; electroacoustic music - reception and interpretation; soundscape and acousmatic multichannel composition
Andrew Hill – 2008
Composing the Metaphor: Investigating Suitable Strategies for the Composition of Electroacoustic Audio-visual Artworks
James Kelly – 2008
'Technology Hacking': DJ Technology and Appropriation
W: minimaljames.wordpress.com
Amit Patel – 2008
Turntable Performance And Sound Diffusion
W: www.dushume.co.uk
Neal Spowage – 2008
Marrying the Dynamics of Performance and Live Electronic Music Production
W: www.nealspowage.com
Masters by Independent Study
Tony Seaton – 2014
Radiophonic: The music of Delia Derbyshire; Pedagogic: Understanding electroacoustic music at A Level
Gary Blakemore – 2012
The Sonic 'Germ': A Compositional Investigation
Mark Herdman – 2012
The Preserving Machine: Is it Possible to Hear a Novel?
Adam Newman – 2010
On The Auditory Road - An audio adaptaptation of Jack Kerouac's "On the Road"
Gez McCoy – 2010
Spatialisation, live electronics and the multi-pickup electric guitar
Russel Michael Harmon – 2011
The Integration of Guitar Performance and Live Electronics: the Circuit Bent Guitar
Bec Gorman – 2008
Composition for Film and Animation
Robbie Lockwood – 2008
Electroacoustic Composition
Chris Cousin – 2008
Electronic Music Composition and Performance
Ioanna Pappa – 2007
Performance Studies and Education
Shammi Pithia – 2007
Pitch Perception and Human Emotion, Its Relevance in Classical Indian Music and its Application in Film Music
Alexis Ffrench – 2007
New Opportunities in Music Technology from a Pedagogical and Musician's Point of View
Serena Alexander – 2007
Composing For The Voice With Electronics And Sound Diffusion
Roger Barker – 2008
Postmodern Popular Composition and The Mix As An Artform
Philip Mead – 2008
Composition for Piano and Electronics
W: www.philipmead.com
Matthew Moore – 2008
Exploring and Extending the Aesthetic and Technological Boundaries of the Talking Book
Thom Corah – 2008
LabTop: An Instrument for the Integration of Live Electronics into Composed Music
Dimitris Moraitis – 2008
Exploring the Use of the Human Voice and Text
Peter Wilkinson – 2008
PLASMA (Progressive, Living And Synthetic Musical Apparatus)