Music, Technology and Innovation publications

Battey, B. (2015) ‘Towards a Fluid Audiovisual Counterpooint’. Ideas Sónicas. 17.4: 26–32.


Emmerson, S. and Landy, L., eds. (2016) Expanding the Horizon of Electroacoustic Music Analysis. Cambridge: Cambridge University Press


Emmerson, S., ed. (2018)  The Routledge Companion to Electronic Music: Reaching out with Technology. Abingdon: Routledge. 


Landy, L. et al. (2014) The ElectroAcoustic Resource Site – Pedagogical Site (EARS 2).


Landy, L. et al. (2103: continues to be developed) Compose with Sounds (software). www.cws.dmu.ac.uk


Landy, L. (2019, in press) ‘Making Music with Sounds … and Other Things’. Organised Sound. 24/3.


Lembke, S.-A. (2018) ‘Hearing Triangles: Perceptual clarity, opacity, and symmetry of spectromorphological sound shapes’. Journal of the Acoustical Society of America. 144/2: 608–619.


Richards, J. (2017) ‘DIY and Maker Communities in Electronic Music’. In: Collins, N., and Escrivan, R. J. The Cambridge Companion to Electronic Music. 2nd ed. Cambridge: Cambridge University Press.


Vear, C. (2016) ‘Gesamtkkomposition and the Digital Opera: A sentimental journey’. International Journal of Performance Arts and Digital Media. 12/1: 61–81.


Young, J. (2015) ‘Imaginary Workscape: Creative practice and research through electroacoustic composition’. In: Dogantan-Dack,, M. ed. Artistic Practice as Research. Farnham/Burlington: Ashgate. 149–166.

 
Events target area image
Events

At DMU there is always something to do or see, check out our events for yourself.

DMU research news target area image
DMU research news

Read about our latest research efforts.

Mission and vision target area image
Mission and vision

Read about our mission and vision and how these create a supportive and exciting learning environment.