Estuaries 4 - audio-visual composition (2021)
Battey, B. (2020) 'Technique and Audiovisual Counterpoint in the Estuaries Series-. In Knight-Hill, Andrew, Ed., Sound and Image: Aesthetics and Practices. London: Routledge.
Three Breaths in Empty Space - audio-visual installation (2019)
Estuaries 3 - audio-visual composition (2018)
Estuaries 2 - audio-visual composition (2017)
Estuaries 1 - audio-visual composition (2016)
Battey, B. (2016) 'Creative Computing and the Generative Artist'. In International Journal of Creative Computing 1(2-4), pp. 154-173.
Battey, B. and Fischman, R. (2016) 'Convergence of Time and Space: Visual Music from an Electroacoustic Music Perspective'. In Kaduri, Y., Ed., The Oxford Handbook of Sound and Image in Western Art. Oxford: Oxford University Press.
The Five – for vibraphone and responsive audiovisuals (2015)
Triptych Unfolding – with Hugi Guðmundsson (music) – for piano, electronics and live visuals (2014)
Clonal Colonies — for Pierrot ensemble, computer-realised video and sound (2011)
Sinus Aestum — for computer-realised video and sound (2009)
cMatrix12 — installation for computer-realized video and sound (2009)
Lacus Temporis — for computer-realised video and sound (2008)
Mercurius — for computer-realised video and sound (2007)
Autarkeia Aggregatum — for computer-realised video and sound (2005)
Battey, B. (2004) 'Bézier Spline Modeling of Pitch-continuous Melodic Expression and Ornamentation'. Computer Music Journal, 28(4), pp. 25–39.
Battey, B. (2004) 'Musical Pattern Generation with Variable-Coupled Iterated Map Networks'. Organised Sound 9(2), pp. 137–150.