Mapping Cinema Memories: Emotional Geographies of Cinema-going in Rome in the1950s. Co-authored with Daniela Treveri-Gennari and Catherine O’Rawe. Memory Studies, January 2017.
Cinema Heritage in Europe: preserving and sharing culture by engaging with film exhibition and audiences. Co-authored with Daniela Treveri-Gennari. Alphaville: Journal of Film and Screen Media. Issue 11, Summer 2016, pp. 1-12 (http://www.alphavillejournal.com/Issue11/Editorial.pdf)
Screening Fascism in the Free State: Italian Propaganda Films and Diplomacy in Ireland 1934-1940’ Historical Journal of Film, Radio and Television, 2014, Vol.34, No.4, 493-510. (Philip M. Taylor Routledge-IAMHIST Prize for best article, 2014)
‘“Pictures from Italy”: Italian Silent Films in Britain, 1907-1915’, in G. Bertellini ed., Italian Silent Cinema: A Reader (London: John Libbey Publishing, 2013). pp. 295-304.
“The Greatest Film of the Fascist Era”: The Distribution of Camicia Nera in Britain, Alphaville: Journal of Film and Screen Media 6, (Winter 2013). Web. ISSN: 2009-4078. (http://www.alphavillejournal.com/Issue6/HTML/ArticleErcole.html)
‘Little Italy On the Brink’: The Italian Diaspora and the Distribution of War Films in London 1914-1918, in R. Maltby, D. Biltereyst, P. Meers, eds., Cinema, Audiences and Modernity: New Perspectives on European Cinema History (London, New York: Routledge, 2011). pp. 154-165.