Mr Ottis Sturmey

Job: PhD Student / Postgraduate Researcher in Fine Art

Faculty: Arts, Design and Humanities

School/department: School of Arts, Design and Architecture

Address: De Montfort University, The Gateway, Leicester, LE1 9BH

T: N/A

E: P2735977@my365.dmu.ac.uk

 

Personal profile

Ottis Sturmey is a practice-based Fine Art postgraduate researcher at De Montfort University. His doctoral research examines the structural underrepresentation of working-class-origin creatives within the UK Cultural and Creative Industries (CCIs), with particular interest in the cultural absences that may result when people are excluded from opportunities to participate in, produce and have creative work recognised.

His research draws upon practice-based and autoethnographic approaches and is informed by his own trajectory as a mature working-class-origin practitioner. Current creative practice incorporates installation, sculpture, textiles, object-making, writing and an experimental play, using these forms to explore questions of class, cultural legitimacy, access, exclusion and absence.

Ottis has a long-standing background in art practice, exhibition production and higher education. He completed a BA (Hons) Fine Art and MA Fine Art at Nottingham Trent University and subsequently worked there as a gallery and workshop technician, freelance artist technician and Hourly Paid Lecturer in Decorative Arts.

His earlier artistic activity includes representing Nottingham Trent University and Team England at the 13th Harbin–Sun Island International Snow Sculpture Competition in China in 2008, where the team's sculpture Under Growth received Second Prize. Later that year, following his MA Fine Art degree show, he was selected by artist S Mark Gubb for Axis MAstars 2008, a national programme through which art professionals identified artists to watch from UK MA degree shows.

Alongside his doctoral research, Ottis currently works within De Montfort Students' Union's Advice team as a Membership Services Administration Assistant, providing student-facing administrative and support services.

Research interests/expertise

  • Working-class-origin underrepresentation in the Cultural and Creative Industries
  • Social class and cultural inequality
  • Cultural participation and access
  • Cultural legitimacy and gatekeeping
  • Absence and representation
  • Practice-based research
  • Autoethnography
  • Contemporary Fine Art
  • Installation and sculpture
  • Object-based practice
  • Textiles
  • Experimental performance and writing
  • Widening participation and social mobility

Qualifications

2008 - MA Fine Art, Nottingham Trent University
2006 - BA (Hons) Fine Art, 2:1, Nottingham Trent University
2002 - Level 3 Diploma in Foundation Studies (Art and Design), Merit, Rugby College

Honours and awards

Axis MAstars 2008 — Selected Artist

Selected by artist S Mark Gubb following the Nottingham Trent University MA Fine Art degree show. The recovered Axis archive identifies the page as MAstars 2008: Ottis Sturmey, MA Fine Art. Profile published July 2008.

Second Prize — 13th Harbin–Sun Island International Snow Sculpture Competition, Harbin, China, 2008

Member of the Nottingham Trent University / Team England entry. Collaborative sculpture: Under Growth. The British team received Second Prize, shared with the Russian Khabarovsk team.

Professional development

2022 - The Effective Learning and Teaching at De Montfort University Programme — Certificate of Completion
2009 - Getting Started as a Teacher in Higher Education — Nottingham Trent University

PhD project

Present in Absence

Present in Absence is a practice-based research project examining the persistent underrepresentation of working-class-origin creatives within the UK Cultural and Creative Industries.

The research considers not only inequalities in access to cultural and creative careers, but also what may be culturally absent when people from particular social backgrounds are discouraged, excluded or otherwise prevented from participating fully in creative production.

Drawing on practice-based research and autoethnographic reflection, the project considers how classed inequalities can be made materially and aesthetically perceptible. Creative practice operates as a mode of enquiry alongside contextual and theoretical research.

The developing body of practice includes installation, sculpture, textiles and object-based work together with an experimental play. Through these interconnected forms, the research explores cultural legitimacy, gatekeeping, meritocratic assumptions, classed expectations and the relationship between social origin and opportunities for creative participation.

The project seeks to contribute to understanding of how structural inequality shapes not only who becomes a recognised cultural producer, but also what cultural work may never come into existence, circulate or become visible as a consequence.

Supervisors

Dr Isabella Streffen — First Supervisor
Dr Harriet Curtis — Second Supervisor

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