‘Survival through Sickness: Reimagining the Zombie in Martin O’Brien’s The Unwell (2017),’ De Montfort University, ‘It Is True, We Shall Be Monsters’: New Perspectives on Sci-fi, Horror, and the Monstrous Onscreen, Cinema and Television History Institute (CATHI) Post-Graduate Conference, 13th June 2018.
‘God’s Own Country: Queering the Masculine in the Yorkshire Dales,’ University of Sheffield, Representing Gender in the North: 1945 to the Present Conference, 23rd May 2018.
‘Pleasure, Pain, Performance: Audience, Performer and Communal Acts of Subversion,’ De Montfort University, Borderlines V – Falling, Standing, Performing Conference, 22nd June 2017.
‘Wheezing Coughs and Limping Zombies: Overflow and Excess in the Practice of Martin O’Brien,’ Kampnagel; Hamburg, Performance Studies International Conference – Overflow, 10th June 2017.
‘Liberation Through Queer Pain: Endurance, Suffering and Challenging the Normative in the Practice of Martin O'Brien,’ De Montfort University, Centre for Interdisciplinary Research in Dance Postgraduate Symposium, Trauma and Embodiment, 31st May 2017.
‘Figuratively Limp, Literally Sexy: The Ambiguous Sexual Body of Dani Ploeger,’ Brunel University, Performing the Penis Roundtable, 3rd March 2017.
‘A Bite of Queer Flesh: Overflow and Excess in the Practice of Martin O’Brien,’ York Art Gallery, Naked Acts - Flesh and Queer Symposium, 31st January 2017.
‘Nude, Erect and Toned: Dani Ploeger and His Queer Performance Art Practice,’ Sapienza University; Italy, Dance and Performance Post-Graduate Conference, 7-8th April 2016.