The course is taught by established academics and creative industry practitioners.
You will be taught through a series of one or two-hour lectures seminars, screenings and two-hour tutor supported workshops. There are also regular visiting lecturers from both industry and academic research fields.
Your precise timetable will depend on the optional modules you choose to take, however, you will normally attend around 12–16 hours of timetabled taught sessions (lectures and tutorials) each week, and we expect you to undertake at least 24 further hours of independent study to complete project work and research. Assessed work includes essays, analytical portfolios, scripts, news articles, online work, mini research tasks, presentations and practical projects.
Creative and professional options are taught by experienced former and current practitioners from the fields of public relations, web development, journalism and lobbying. All have excellent industry contacts and are keen to help students with their career ambitions.
Recent staff publications include Dr Paul Smith’s The Politics of Television Policy: The Introduction of Digital Television in Great Britain, Dr Helen Wood’s Talking with Television, Professor Tim O’ Sullivan’s The Cinema of Basil Dearden and Michael Relph (with Alan Burton) and Dr Stuart Price’s Brute Reality: Power, Discourse, and the Mediation of War, Margaret Montgomerie’s Screen Fictions and Discourses of Disability: Dodgy Discourse and the Moral Low Ground Continuum and Dr Scott Davidson’s Going Grey: The Mediation of Politics in an Ageing Society.
All staff are active researchers and recent articles in academic journals include Simon Mills ‘Cultural Anxiety 2.0’ in Media, Culture and Society (with Dave Everitt) and Andrew Tolson’s co-authored article ‘Belligerent Broadcasting and Makeover Television: Professional Incivility in Ramsay’s Kitchen Nightmares’ in the International Journal of Cultural Studies.