Music, Technology and Innovation publications

Battey, B. (2015) ‘Towards a Fluid Audiovisual Counterpooint’. Ideas Sónicas. 17.4: 26–32.

Emmerson, S. and Landy, L., eds. (2016) Expanding the Horizon of Electroacoustic Music Analysis. Cambridge: Cambridge University Press

Emmerson, S., ed. (2018)  The Routledge Companion to Electronic Music: Reaching out with Technology. Abingdon: Routledge. 

Landy, L. et al. (2014) The ElectroAcoustic Resource Site – Pedagogical Site (EARS 2).

Landy, L. et al. (2103: continues to be developed) Compose with Sounds (software).

Landy, L. (2019, in press) ‘Making Music with Sounds … and Other Things’. Organised Sound. 24/3.

Lembke, S.-A. (2018) ‘Hearing Triangles: Perceptual clarity, opacity, and symmetry of spectromorphological sound shapes’. Journal of the Acoustical Society of America. 144/2: 608–619.

Richards, J. (2017) ‘DIY and Maker Communities in Electronic Music’. In: Collins, N., and Escrivan, R. J. The Cambridge Companion to Electronic Music. 2nd ed. Cambridge: Cambridge University Press.

Vear, C. (2016) ‘Gesamtkkomposition and the Digital Opera: A sentimental journey’. International Journal of Performance Arts and Digital Media. 12/1: 61–81.

Young, J. (2015) ‘Imaginary Workscape: Creative practice and research through electroacoustic composition’. In: Dogantan-Dack,, M. ed. Artistic Practice as Research. Farnham/Burlington: Ashgate. 149–166.

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