July 2016: Lembke S-A, An exploration of psychoacoustic factors influencing the perception of triangular sound shapes. Poster presented at 14th International Conference on Music Perception and Cognition (ICMPC- SMPC), San Francisco, USA
October 2015: Lembke S-A, Levine S, de Francisco M and McAdams S, The use of microphone level balance in blending the timbre of horn and bassoon players. Paper presented at Audio Engineering Society Convention 139, New York City, USA
December 2014: Lembke S-A and McAdams S, Timbre’s role in music: investigating its dependency on pitch and dynamics during musical performance. Paper presented at 9th Conference on Interdisciplinary Musicology (CIM), Berlin, Germany
August 2014: Lembke S-A, Levine S, de Francisco M and McAdams S, The influence of performer roles on timbre blending between bassoon and horn players. Paper presented at 13th International Conference on Music Perception and Cognition (ICMPC-APSCOM), Seoul, South Korea
August 2013: Lembke S-A, Levine S, de Francisco M and McAdams S, Measuring the interaction between bassoon and horn in achieving timbre blend. Paper presented at Stockholm Music Acoustics Conference (SMAC) and Sound and Music Computing (SMC) Conference, Stockholm, Sweden
June 2013: Lembke S-A, Narmour E and McAdams S, Predicting blend between orchestral timbres using generalized spectral-envelope descriptions. Paper presented at International Congress on Acoustics, Montreal, Canada
May 2013: Lembke S-A, Levine S, de Francisco M and McAdams S, Timbre blending as a performance variable: investigation of the interactive relationship between performers and a sound-recording engineer. Paper presented at Centre for Interdisciplinary Research in Music Media and Technology (CIRMMT) Student Symposium, Montreal, Canada
August 2012: Lembke S-A and McAdams S, Establishing a spectral theory for perceptual timbre blending based on spectral-envelope characteristics. Poster presented at 12th International Conference on Music Perception and Cognition (ICMPC-ESCOM), Thessaloniki, Greece
April 2012: Lembke S-A and McAdams S, A spectral-envelope synthesis model to study perceptual blend between wind instruments. Paper presented at 11th Congrès Français d’Acoustique and IOA annual meeting (Acoustics 2012), Nantes, France
August 2011: Lembke S-A and McAdams S, The relevance of spectral shape to perceptual blend between wind instrument timbres. Paper presented at Society for Music Perception and Cognition (SMPC), Rochester, NY, USA