Dr Jenifer Chao

I specialize in global visual cultures, focusing on the mechanisms of visuality  – its logic, techniques and power – embedded within international politics. These visualities are not bound by geography, neither are they restricted by genres; they encompass multiple geopolitical contexts and expressions: from the catastrophe aesthetic of the 9/11 terrorist attacks in America (my monograph) to Chinese contemporary art that is mobilized for nation branding (an AHRC grant); from the eco-cosmopolitanism of an art biennial on climate change to the visualization of race (articles). These are some of the projects that have steered my investigations into the visual practices of our contemporary culture. This approach unites several disciplines: contemporary art, media studies and international relations. Increasingly, I have also examined the instrumentalization of such visual developments through the lens of political economy, locating their roles in the creative industry.  

I am the PI of an AHRC research grant (AH/T006706/1), “Art Diplomacy and Nation Branding: The Visual Politics of Reinventing China”. This project investigates the multiple ways that China is regenerating its global media image and its nation brand through the soft power of Chinese contemporary art.

Media Discourse Centre, Photographic History Research Centre

Chao, Jenifer and Kompatsiaris, Panos (2020) Curating climate change: The Taipei Biennial as an environmental problem solver. Journal of Contemporary Chinese Art, 7.1: 7-26. https://doi.org/10.1386/jcca_00017_1

Chao, Jenifer (2019) China's Ancient Past in Its Contemporary Art: On the Politics of Time and Nation Branding at the Venice Biennale. Journal of Contemporary Chinese Art 6.2 &3: 321-341.  https://doi.org/10.1386/jcca_00010_1

Chao, Jenifer (2018) Cultural Resistance, 9/11 and the War on Terror: Sensible Interventions. London: Routledge. https://www.routledge.com/Cultural-Resistance-9-11-and-the-War-on-Terror-Sensible-Interventions/Chao/p/book/9781138710887

Chao, Jenifer (2018) Faces of the Enemy: Visualising the Taliban in a Photography Studio. Media, War & Conflict 12.1:30-49.  http://journals.sagepub.com/doi/full/10.1177/1750635217714015

Chao, Jenifer (2016) The Ignorant Hip-Hop Artist? Political Rap Encounters Jacques Rancière. Continuum: Journal of Media & Cultural Studies 30.6: 754-763.  http://dx.doi.org/10.1080/10304312.2016.1231792

Chao, Jenifer (2015) Oppositional Banality: Watching Ordinary Muslims in Little Mosque on the Prairie. NECSUS European Journal of Media Studies 4.1: 27-45. http://dx.doi.org/10.5117/NECSUS2015.1.CHAO

• Politics & aesthetics 
• Cultural resistance
• Nation branding
• (Chinese) Nationalism and national identity
• Visual culture (photography and photojournalism)
• Cultural and critical theories (Rancière, Badiou)
• 9/11 and the war on terror

Third-year Dissertation 

First-year and second-year journalism modules

Media Studies

Photography and Global conflicts 

PhD in Cultural Analysis
Amsterdam School for Cultural Analysis
University of Amsterdam, Netherlands

MA in English Language and Culture
Cum laude
University of Amsterdam, Netherlands 

BA in International Relations
University of Washington, Seattle, USA

JOUR 1004, 2001, 2004, 2005 and 3000

HIST3026

Research Associate, Centre for Chinese Visual Arts, Birmingham City University

Art and Politics Specialist Group of the UK Political Studies Association and British International Studies Association 

Netherlands Institute for Cultural Analysis

PhD Supervision 

Jaime Marie Davis (2020-23), "Co-citizenship and Curatorial Practices in the Delivery of News and Visual Journalism", winner of DMU PhD scholarship

Yu Sui (2017-present), "Evolutions of Rumours in Chinese Social Media", (second supervisor)

Viva Examination

Quan Liu (2020), "Chineseness? Inventing and Manufacturing Touristic Landscape Performing Art", University of Liverpool

PI of AHRC research grant, AH/T006706/1, 2020-2023. "Art Diplomacy and Nation Branding: The Visual Politics of Reinventing China".

This project investigates how China is regenerating its global media image and its nation brand through the soft power of Chinese contemporary art. It conceptualizes Chinese art beyond its traditional art historical concerns and aesthetic criticality, and envisions it, instead, within the forces of political economy, thus accentuating its intricate functions at the intersection of diplomacy, reputation control and sustainable growth. This approach gives primacy to visual culture's roles within the creative industries in China and in the UK.

Reviewer for NECSUS European Journal of Media Studies

DMU Vice-Chancellor’s Future Research Leaders Programme, 2017-2018