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Dr Alice Wood

Job: VC2020 Senior Lecturer in English

Faculty: Arts, Design and Humanities

School/department: School of Humanities

Research group(s): English Research, Centre for Textual Studies

Address: De Montfort University, The Gateway, Leicester, LE1 9BH

T: +44 (0)116 2577198

E: alice.wood@dmu.ac.uk

W: http://dmu.ac.uk/InstituteofEnglish

 

Personal profile

Alice Wood joined the English department at De Montfort University in 2014. Her research and teaching centre on twentieth-century and contemporary literature with particular focus on British modernism and its cultural contexts, periodical studies, women's writing and feminist theory. She is the author of Virginia Woolf’s Late Cultural Criticism (Bloomsbury, 2013), a genetic survey of Woolf’s late works, and several articles on Woolf’s literary and cultural criticism. Her second monograph, Modernism and Modernity in British Women's Magazines (Routledge, 2020), considers  the relationship between modernism and its diverse publics through a survey of middle-class women's periodicals of the interwar period. Her current research concerns Woolf's revisions to the '1910' and '1911' sections of The Pargiters/The Years.

Alice welcomes PhD applications in modernist studies, Woolf studies, modern periodical studies, and interwar women's magazine and literary culture. 

Research group affiliations

English Research
Centre for Textual Studies

Key research outputs

Modernism and Modernity in British Women's Magazines (Routledge, 2020).

'Housekeeping, Citizenship, and Nationhood in Good Housekeeping and Modern Home', in Women's Periodicals and Print Culture in Britain, 1918-39: The Interwar Period, ed. Catherine Clay, Maria DiCenzo, Barbara Green and Fiona Hackney (Edinburgh: Edinburgh University Press, 2018), pp. 210-24.

'Modernism, Exclusivity, and the Sophisticated Public of Harper's Bazaar (UK)', Modernist Cultures, 11: 2 (2016): 370-88.

‘Facing Life as We Have Known It: Virginia Woolf and the Women’s Co-operative Guild,’ Literature & History 23: 2 (2014): 18-34.

Virginia Woolf's Late Cultural Criticism: The Genesis of The Years, Three Guineas, and Between the Acts (Bloomsbury, 2013).

‘Made to Measure: Virginia Woolf in Good Housekeeping Magazine.’ Prose Studies 32: 1 (2010): 12-24. 

Research interests/expertise

  • Twentieth-century literature
  • Modernism
  • Women’s magazines
  • Virginia Woolf

Areas of teaching

  • 20th and 21st Century Literature
  • Modernism
  • Feminism and Gender Studies
  • Contemporary Poetry and Fiction

Qualifications

BA (Hons) English Language and Literature (University of Oxford)

MA Literary Studies (University of Wales, Aberystwyth)

PhD, English Literature (De Montfort University)

Courses taught

  • ENGL2026 20th Century Literature
  • ENGL3086 Modernism and Modernity
  • MA English

Membership of professional associations and societies

  • Fellow of the Higher Education Academy
  • Member of the British Association of Modernist Studies, Modernist Studies Association, Women’s History Network and International Virginia Woolf Society

Conference attendance

  • 'Working with Virginia Woolf's Manuscripts', Textual Editing Lab/English Literature Research Seminar, University of Glasgow, 15 January 2020. Invited Speaker.
  • 'Modernism, Celebrity and Domesticity: The Autobiography of Alice B. Toklas in Harper's Bazaar (UK)', Troublesome Modernisms: BAMS International Conference, London, 22 June 2019. Panel paper.
  • '"This is England": Nationhood and Internationalism in the "1911" chapter of The Years', Virginia Woolf, Europe, and Peace, University of Kent, 22 June 2018. Panel paper.
  • 'Women, Magazines, and the Politics of Consumption,' Interwar Women Writers: Politics, Citizenship, Style, King's College London, 1 June 2018. Invited speaker.
  • 'Writers, Readers and Feminist Experimentalism in Interwar Women's Magazines', Twentieth-Century British Periodicals: Words and Art on the Printed Page, 1900-99, Museum of English Rural Life, University of Reading, 4 July 2017. Plenary speaker.
  • 'Trending Modernism in British Vogue and Harper's Bazaar', Modernist Studies Association 17th Annual Conference, Boston, USA, 21 November 2015. Panel paper.
  • ‘Modernism, Novelty and Familiarity in British Women’s Magazines,’ Modernism Now! Institute of English Studies, University of London, 28 June 2014. Panel paper.
  • Invited speaker, ‘Virginia Woolf and Good Housekeeping,’ Modernist Magazines Research Seminar, Institute of English Studies, Senate House, 12 December 2013; available at http://www.youtube.com/watch?v=1LufiKFYMrg
  • ‘Modernism in the Mainstream: British Women’s Magazines,’ Modernist Studies Association 15th Annual Conference, University of Sussex, 30 August 2013. Panel paper.
  • ‘Restless Furniture: Memory Spaces in Ruth Klüger’s Still Alive,’ Trauma & Memory: The Holocaust in Contemporary Culture, University of Portsmouth, 12 July 2013. Panel paper.
  • Invited speaker, ‘The Woolfs and the Women’s Co-operative Guild,’ Leonard Woolf Society Inaugural Symposium, Institute of Commonwealth Studies, Senate House, 24 May 2013.
  • Invited speaker, ‘Vision and Revision: The Textual Genesis of Virginia Woolf’s “A Sketch of the Past,”’ Northern Modernism Seminar, De Montfort University, 11 May 2012.

Key articles information

[Add key research outputs information here] 

e.g ‘Outputs, e.g. selected publications’ produced since January 2008

Professional esteem indicators

Member of the Editorial Advisory Board for Woolf Studies Annual

I have acted as a peer reviewer for Variants: The Journal of the European Society for Textual Scholarship and for Cambridge University Press.

Case studies

Review of a public talk on ‘Women’s Magazines, 1910-1940: Modernity and Modernism’ for the Woodstock Literature Society at Woodstock Library on 2 July 2014.

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