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Music Without Walls? Music Without Instruments?

Proceedings of the International Conference
21-23 June 2001, De Montfort University

Leigh Landy
Conference Welcome|

Marc Aird
Towards Material Modelling in Physical Models Using Digital Waveguides|

Michael Casey
Musical Applications of MPEG-7 Audio|

Nick Collins
Algorithmic Composition Methods for Breakbeat Science|

Darren Copeland
The Audience in the Centre: Diffusion Practice at Sound Travels|

Leon W. Couch
Introducing Electronic Music in Undergraduate Music Theory: Pedagogy and Theory|

John Dack
At the Limits of Schaeffer's TARTYP|

Palle Dahlstedt
A MutaSynth in Parameter Space: Interactive Composition Through Evolution|

Palle Dahlstedt
Creating and Exploring the Huge Space Called Sound:Interactive Evolution as a Composition Tool|

Richard Dobson
A Prototype Real-time Plugin Framework for the Phase Vocoder|

John Levack Drever
The Sublime in Acousmatic Music: Listening to the Unpresentable|

Ulrich D. Einbrodt
"Welcome to the Machine" - Pop Songs out of the Computer: The Era of PC-Musicians|

Simon Emmerson
New Spaces / New Places: A Sound House for the Performance of Electroacoustic Music and Sonic Art|

Archer Endrich
The Workshop of Art : Towards a Dynamic and Open Way of Thinking about Form in Music|

Steve Everett
Logics of Value for Digital Music|

Nick Fells
Without Walls|

Giselle Martins dos Santos Ferreira
When Art, Science and Technology Meet: The Strength, the Dilemma or the Curse of Electroacoustic Music?|

John Ffitch
Creating a Computer-Assistant for Performance|

James Harley
Embracing Multimedia for Value-Added Marketing: Electroacoustic Music Presented via Enhanced CD|

Andrew Hugill
Some Issues in the Creation of Music Online|

Leigh Landy
From Algorithmic Jukeboxes to Zero-Time Synthesis, A Potential A-Z of Music in Tomorrow's World|

Alex McLean
Hacking Sound in Context|

Mladen Milicevic
Cyberspace Memes|

Dennis Miller
Vision Statement|

Adrian Moore
Sound Diffusion and Performance: New Methods - New Music|

Stephan Moore
KromoZone: A Platform for Networked Multimedia Performance|

Rosemary Mountain
Caveats from a Dyed-in-the-Wool Futurist|

Kia Ng
Augmented Stages for Installation-Arts and Performance|

Derek Pierce
On Composing "This Gospel Train is Pulled by Steam"|

Richard Polfreman
FrameWorks: A Structural Composition Tool|

John Richards
New Modality: Sonic Magnification|

Lisiunia A. Romanienka
Synthesizers and Other Hybrid Electronica within the Socially Embedded Context of Techno Music|

Paul Rudy
Separation Anxiety: Metaphoric Transmutations from a Paradoxical Biological Instrument or: What is a Cactus Doing in our Concert Hall?|

Scott Smallwood
Polyrhythmic Texture Derivations of Time-Lapsed Field Recordings|

Martin Spain
Interpolator: A Two-dimensional Graphical Interpolation System for the Simultaneous Control of Digital Signal by Processing Parameters|

Christian Spevak
Sound Spotting – An Approach to Content-based Sound Retrieval|

Bob L. Sturm
Composing for an Ensemble of Atoms: The Metamorphosis of Scientific Experiment into Music|

Fred J. Szymanski
Recursive Time Modeling in "Retentions 1 - 4"|

Dante Tanzi
Music Negotiation: Routes in User-based Description of Music|

Robb Wright
Towards a New Language For Visual Music|

John Young
Sju ... Who?|

John P. Young
Networked Music: Bridging Real and Virtual Space|

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