Students

Doctor of Philosophy

Panos Amelides Panos Amelides
Non-linear Storytelling as Strategy for Electroacoustic Composition
Bill Brunson

Bill Brunson
Narrativity and Formal Aspects of Electroacoustic Music

Luca Forcucci

Luca Forcucci
Works of Sonic Art: Aesthetical, Perceptual and Listening Issues in the Dynamic Relations of Space and Sound
W: lucaforcucci.wordpress.com|

Kerry Francksen

Kerry Francksen
The Interrelationship and Potential Synchronicty of Live and Mediated Dance
W: (DMU Staff Page|)

  Jim Frize James Frize
Disintegrated Circuits: Deconstructed Music Technology
W: sonodrome.co.uk|
Michael Gatt

Michael Gatt
Tools for Understanding Electroacoustic Music

Marinos Giannoukakis

Marinos Giannoukakis
Creation of Complex Realtime, Nonlinear Narratives by Means of Current 3D Game Technologies and Realtime Sound Analysis and Synthesis Systems

David Gray

David Gray
Cognition and Representation of Musical Timbre

Dave Holland Dave Holland
Developing Heightened Listening as a Pedagogical Tool for Widening Access to Sound-Based Music

WeiWei Jin Weiwei Jin
Interdisciplinary Operatics: Creative Practices which combine Voice, Electroacoustic Composition, Theatre, Multimedia, Installation, Cinema and Technology
Steve Jones Steve Jones
A Free-Wheeling Mentality: Investigating Multimodal Interaction and the Impact of Emerging Technologies on Electronic Music Making and Performance
Ryan Jordan

Ryan Jordan
Real-time Physical and Gestural Expression in Live Computer and Electronic Music Performance
W: ryanjordan.org|

Marinos Koutsomichalis Marinos Koutsomichalis
Sound, Music and Media Art
W: www.marinoskoutsomichalis.com|
James Kelly

James Kelly
Vinyl Cutting for Turntable Performance

Amit Patel Amit Patel
Creating Noise in the Asian Underground
W: www.soundcloud.com/dushume|
Ban Ramsay

Ben Ramsay
Acousmatic Music Composition, Diffusion and Aesthetics
W: www.benramsay.co.uk|

Jack Richardson Jack Richardson
Musical Recognition in Sound-Based Art Forms
Louise Rossiter Louise Rossiter
The Role and Definition of Expectation within Electroacoustic Music
W: www.louiserossiter.com|
Manolis Manousakis

Manolis Manousakis
New Media Art - Creative Production Methods Utilising Collectives
W: www.manolismanousakis.com| 

Neal Spowage

Neal Spowage
Closing the Laptop: Dramatic Gesture and Physical Sculpture as Instruments in Post Digital Electronics Performance
W: www.nealspowage.com|

Nasia Therapontos

Nasia Therapontos
New Technologies and the Secondary Curriculum: The Educational Benefits of the Introduction of Sound-Based Music in Cyprus

Simon Waite Simon Waite
Hybrid Audiovisual Realtime Systems for Electronics, Voice and Instruments
W: www.nationaltrevor.com|
Mungo Zhangruibo
Mungo Zhangruibo
Assisting the Development of the Field of EA Music Studies in China
W: chears.info|

Masters by Research (MA or MSc)

Chloe Cutler Chloe Cutler
Enhanced Learning with an Innovative Instrument in KS2 Music Education
W: chloecutler.wordpress.com|
Javan Green
The 'Living' Electronic Performer v2.0
Simon Smith
Simon Smith
Re-creating Diffusion Performance Practices from an Exploration of Listening(s) Experiences.

Masters by Independent Study

Tony Seaton
Tony Seaton

Radiophonic: The music of Delia Derbyshire; Pedagogic: Understanding electroacoustic music at A Level

Katerina at Mixing Board

Former PhD student Katerina Tzedaki rehearsing for a concert in Trinity Chapel at DMU (2006).

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