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Making It New: Victorian and Modernist Literature and Periodicals 1875-1935

Location
Hugh Aston Building
Date(s)
28/02/2015 (09:00-17:00)
Contact
For Further information please contact: Deborah Mutch dmutch@dmu.ac.uk| or Louise Kane louise.kane@dmu.ac.uk|
Registration URL
http://store.dmu.ac.uk/browse/extra_info.asp?compid=1&modid=1&deptid=5&catid=74&prodvarid=265
Description
2014-making-it-new-wildeoscar[1]

'Victorian and modern?: Oscar Wilde's tomb'

The Conference Programme|

Postgraduate Bursaries|

A one-day conference

Keynote speaker: Professor Scott McCracken, Keele University

When Thomas Hardy lamented to Virginia Woolf in 1926 that modernist authors had ‘changed everything now’ he reinforced the idea that modernism had wrought a cataclysmic division between itself and its Victorian predecessors. Woolf had specified December 1910 as the point when literature abandoned omniscience for the realism of interiority and the historical consequence has been a linear model where Victorian and modernist literatures are placed consecutively; as generally discrete entities. But Victorian literature was similarly inventive and experimental: the proto-modernism of Emily Brontë, the realism of George Eliot, the Zola-inspired Naturalists including George Moore who segued into Symbolism. Nor was Modernist literature always forward-looking: at the time G. K. Chesterton questioned the ‘originality’ of Futurism and John Middleton Murry argued that modernism was less about textual revolution and more about one’s ability ‘to train hard on a page of Ulysses every day;’ subsequently Tony Pinkney notes D. H. Lawrence’s ‘Victorian realism’ and James Eli Adams recognizes a ‘host of continuities between Victorian and modernist literature’.

This conference aims to suture the ‘divide’ between ‘Victorian’ and ‘Modernist’ literature, to explore the ways in which they dovetailed and overlapped, shared ideals and textual practice. We seek papers exploring novels, poetry, periodicals, little modernist magazines and other textual ephemera. Papers might include, but are not limited to:

- frameworks of 'Victorian' and 'modern'
- shared Victorian/modernist themes in/forms of prose, poetry, plays and periodicals
- shared sub-genres
- Proto-modernist/retro-Victorian literary tendencies
- authors whose output spans both periods e.g. Thomas Hardy, George Moore, W. B. Yeats, H.G. Wells
- periodicals with a publication run spanning both periods

The organisers hope to begin a conversation in this conference that will result in the publication of a collection of essays. To this end, we have been in discussion with Ashgate and delegates may want to consider their conference paper proposal as the beginning of a longer work for publication.

Abstracts of 300 words should be submitted by January 5th, 2015 to:

Deborah Mutch, dmutch@dmu.ac.uk|
Louise Kane, louise.kane@dmu.ac.uk|

Postgraduate Bursaries: A small number of postgraduate travel bursaries are available. Please indicate at the time of registering whether you wish to be considered for a bursary by emailing the Conference Organisers, Deborah Mutch (dmutch@dmu.ac.uk|) or Louise Kane (louise.kane@dmu.ac.uk|). In your email, please state, in no more than 500 words, how you feel a postgraduate bursary would benefit you and what you expect to gain from attending the conference. 

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