Fine Art and Photography
Fine Art and Photography Research Group Overview
The Fine Art and Photography Research Group (FAPRG) is an innovative, rigorous and dynamic interdisciplinary academic team of art practitioners, historians and theoreticians.
Expertise within the FAPRG is extensive and stems from the individual academic’s direct professional experience of operating within the contemporary art world in combination with a cultural, historical, philosophical and political awareness that underpins all aspects of their research specialist area.
Fine Art, Photography, Arts Management, Curating and Commissioning, Performance, Sound, Moving Image, Dance, Philosophy, Historical and Contextual understanding of Art.
The Fine Art and Photography Research Group at De Montfort University invites applications to the Midlands 3 Cities Doctoral Training Partnership from UK and EU students. Members of the group and their research interests are listed below:
The anthropological understanding of art, the social context and utility of art, and craft as a self-conscious element in fine art production.
Fine Art Practices, Sculpture, Installation, Drawing, Painting
Fine Art Practices, Sculpture; Drawing; Art and Science; Public Art; Art and Ecology ; Pleasure.
Abstract Painting; Perception; Figure/ground relationship; Colour; Interpretation and meaning; Pleasurable visual experience; Sacred art; Beauty; Space and light.
Fine art practices; Installation/sculpture; Aesthetics.
Contemporary fine art practice; Contemporary Indian art; Curation; Installation; Painting; Lens and digital media.
Public art and design; alternative venues for the visual arts.
Multi- disciplinary aspects of contemporary fine art practice; Curation in fine art; The student experience of fine art and the operational and academic aspects (teaching and learning) of BA and MA programmes.
Fine art education; Fine art practices; Painting.
Contemporary art practice; the involvement of apparently unreasonable processes in contemporary art, such as the affective, non-representational dimension of its experience, or the use of chance, accident or spontaneity in research methodologies.
Dr Jenni Hawksley
All aspects of art history and critical theory in fine art.
Artists moving image, in particular the use of the camera and editing process as a tool for research. Visual perception. The documentary form in relation to human interaction with landscape, learning institutions and amateur expert knowledge. Diegetic sound. Non-verbal communication and learning.
Historical and contemporary drawing and print; Fine art practices.
Fine art Practices; 20th & 21st century sculpture; Alternative modes of discourse in the arts.
Photography and Video:
All aspects of photography and video.
Contemporary photographic practice: Portraiture; Documentary practice; Mythology; Anthropology; Marginalised groups.
Lala Meredith Vula (Reader)
Contemporary photography; Video; Film; Fine art; Contemporary Visual art; Photography and film history; Fine art and photography practice; Focusing particularly themes of migration, diaspora, identity and belonging; Art in Eastern Europe both contemporary and historic.
Poetic Film; Avant-garde film; Film practices; Women in film; Film/art installation; Video art; Still and moving image research group.
Dr Mike Simmons
The significance of photographic image making in the representation of personal experiences. The relevance, effectiveness and diversity of creative photographic practice as a research strategy. How knowledge, understanding and awareness can be communicated through the relationship between photographic representation and audiences.
Contemporary photography, theory and practice.
How still & moving image, live music performance, song composition, recorded sound design and interactive installation, can be incorporated into a process of investigation leading to new insights.
Editorial photographer; landscape photography; large format photography
Visual Journalism and Documentary Photography
Art and Design Education; Documentary Photography; New Art and Emerging Photography;Marxism (Political Science) ; Landscape photography; Panoramas.
Public art; Arts and regeneration projects; One off events; Commissions and artist-led programmes.
Dr Helene Goldwater
Intimacy and transgression, viscerality, corporeality, sexuality in performance; Uncertainty of the live moment; Audience/performer relationship in the making/performing of performance; Hybridity, the ’alien’/ ‘other’.
Dr Martin Leach
Tadeusz Kantor; Alexander technique; Anatomy, Physiology and movement studies in relation to performance;Philosophy and performance.
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